Megan Bickel is an artist, digital humanist, writer, and educator currently working out of Louisville, Kentucky. Her work considers and utilizes various approaches and technologies such as painting, data manipulation, digital collage, database reconfiguration, and poetry. Bickel’s work has been exhibited at the Speed Art Museum (Louisville, KY), University of Chicago Logan Center (Chicago, IL), LADIES ROOM LA (Los Angeles, California), KMAC Museum (Louisville, KY), Georgetown College (Georgetown, KY), QUAPPI Projects (Louisville, KY), Art Academy of Cincinnati (Cincinnati, Oh), and MADS Mixed Reality Gallery (Milan, Italy), University of Kentucky (Lexington, KY) and Institute 193 (Lexington, KY).
She has been the founder and organizer of houseguest gallery since 2018, and has had fiction and arts criticism published nationally. She is currently an Assistant Professor of Painting at the University of Louisville’s Hite Institute of Art & Design. She recently received her Master of Arts in Digital Studies in Language, Culture, and History at the University of Chicago. Her thesis research assessed how Google Vision API and other related APIs would impact the fate of climate reporting due to current labeling production design. She is currently working on expanding this data set and expanding the research into a book with coauthor Joseph Solis.
She received her MFA from the University of Louisville with Honors in 2021.
Artist Statement
I make objects, paintings, and videos that abstract or oscillate between announcing and concealing meaning. The resulting work cultivates unserious fields of imagery and installations that interrogate what it means to be visually critical in the 2020s and the future. I do this to playfully mimic, mock, and question the American confrontation between the public and the intertwined spectacle of journalism, political science, advertising, and propaganda. This is done by using the visual language (mark-making) associated with Post-Digital Painting and Casualism, two painterly modalities that question(ed) the ethically fraught relationships between military technologies (specifically digital and screen technologies) and Paintings’ relationship to the economy.
For Inquiries please email meganmariebickel@gmail.com